新构成主义排版品牌海报
一个用于创作大胆的苏联构成主义风格品牌海报的精妙提示词，结合了建筑感排版与扁平化产品剪影。
nano-banana-pro · 产品 · 产品营销 · 插画 · 文本 / 排版 · 极简主义 · 海报 / 传单
中文提示词
一张大胆的新构成主义排版品牌广告海报，用于 “{argument name="brand name" default="BRAND NAME"}”。构图为全出血、纵向格式的平面设计作品，将极具建筑感的排版与 {argument name="brand name" default="BRAND NAME"} 的 2 至 3 款标志性核心产品直接融合在布局中。 “{argument name="brand name" default="BRAND NAME"}” 的字母被大幅放大、碎片化并裁剪至画面边缘，如同巨大的抽象几何建筑模块。字体呈模块化、迷宫式且相互交错，由圆角矩形、棱角分明的通道和紧凑的负空间缝隙构成。整体构图采用严格的网格结构布局，划分为多个矩形区域。 核心产品：将 {argument name="brand name" default="BRAND NAME"} 的 2 至 3 款最具标志性、辨识度最高的产品放置在构图内指定的矩形网格区域中。产品以扁平、高对比度的图形插画风格呈现，而非摄影风格。它们被处理成剪影，简化为大胆的扁平形状，并仅使用品牌官方配色方案进行着色。产品位于网格内清晰定义的矩形或正方形单元格中，被周围的排版块所包围。每个产品占据一个独立区域（每个单元格一个产品），边缘清晰锐利。产品具有建筑感和结构感，仿佛它们本身就是排版网格的一部分，而非漂浮的装饰。示例：对于 Nike，可以是 Air Max 运动鞋侧影、球衣和运动包；对于 Coca-Cola，可以是玻璃瓶、易拉罐和加冰玻璃杯；对于 Apple，可以是 iPhone、MacBook 和 AirPods；对于 McDonald’s，可以是汉堡、薯条盒和饮料杯。 产品在其单元格内呈现时没有任何背景，每个产品剪影后方仅有纯色的品牌色填充，从而使其干净地融入海报的色彩系统。产品细节被简化为必要的粗线条轮廓和扁平填充区域，没有渐变、没有阴影、没有写实感。它们看起来应像复古的产品图标或印章插画。 调色板严格限制为 {argument name="brand name" default="BRAND NAME"} 官方品牌标识中的三种颜色：{argument name="primary color" default="PRIMARY COLOR"} 用于主导的排版块和字形，{argument name="accent color" default="SECONDARY COLOR"} 用于产品剪影和单一的大胆几何强调形状（一个完美的圆形或粗线条），以及 {argument name="background color" default="BACKGROUND COLOR"} 作为深色纯色背景。所有填充均为 100% 扁平。产品本身没有任何渐变、色调或纹理。 在左侧或右侧的垂直边缘，品牌名称 “{argument name="brand name" default="BRAND NAME"}” 以大号、粗体、压缩的无衬线大写字母排版，并旋转 90 度，使用强调色，作为垂直标签锚定整个构图。至少有一个强调色的完美几何圆形出现在构图的上部区域，作为结构元素。 整体美学参考了苏联构成主义（Rodchenko, El Lissitzky）和 20 世纪 70 年代的瑞士国际主义风格。
原始提示词
A bold Neo-Constructivist typographic brand advertisement poster for “{argument name="brand name" default="BRAND NAME"}”. The composition is a full-bleed, portrait-format graphic design piece that fuses extreme typographic-as-architecture with 2 to 3 iconic hero products of {argument name="brand name" default="BRAND NAME"} embedded directly into the layout. The letters of “{argument name="brand name" default="BRAND NAME"}” are massively oversized, fragmented, and cropped at the edges of the frame, functioning as giant abstract geometric building blocks. The letterforms are modular, maze-like, and interlocking — constructed from rounded rectangles, angular channels, and tight negative-space gaps. The entire composition is a strict grid-structured layout divided into rectangular zones. HERO PRODUCTS: 2 to 3 of {argument name="brand name" default="BRAND NAME"}’s most iconic, recognizable products are placed within dedicated rectangular grid zones inside the composition. The products are rendered in a flat, high-contrast, graphic illustration style — NOT photographic. They are silhouetted, simplified into bold flat shapes, and colored using only the brand’s official color palette. The products sit inside clearly defined rectangular or square cells within the grid, framed by the surrounding typographic mass. Each product occupies its own zone — one product per cell — with clean hard edges. The products feel architectural and structural, as if they are part of the typographic grid itself, not floating decorations. Examples: for Nike — a side-profile Air Max sneaker silhouette, a jersey, and a sports bag; for Coca-Cola — a glass bottle, a can, and a glass with ice; for Apple — an iPhone, MacBook, and AirPods; for McDonald’s — a burger, fries box, and a drink cup. The products are rendered WITHOUT any background within their cell — just a flat solid brand color fill behind each product silhouette, so they integrate cleanly into the poster’s color system. Product details are reduced to essential bold outlines and flat fill areas — no gradients, no shadows, no photorealism. They should look like vintage product icons or stamp illustrations. Color palette is strictly limited to THREE colors from {argument name="brand name" default="BRAND NAME"}’s official brand identity: {argument name="primary color" default="PRIMARY COLOR"} for the dominant typographic mass and letterforms, {argument name="accent color" default="SECONDARY COLOR"} for product silhouettes and the single bold geometric accent shape (a perfect circle or bold stripe), and {argument name="background color" default="BACKGROUND COLOR"} as the deep solid background. All fills are 100% flat. No gradients, no tints, no textures on the products themselves. Somewhere along the left or right vertical edge, the brand name “{argument name="brand name" default="BRAND NAME"}” is typeset in large, bold, condensed sans-serif capital letters rotated 90 degrees in the accent color, anchoring the composition as a vertical label. At least one perfect geometric circle in the accent color appears in the upper zone of the composition as a structural element. The overall aesthetic references Soviet Constructivism (Rodchenko, El Lissitzky), 1970s Swiss Internat