荧光记号笔旅行海报
一个用于创作荧光记号笔美学风格旅行海报的精妙提示词，特色在于以大胆的留白呈现极具辨识度的地标建筑。
gpt-image-2 · 城市风光 / 街道 · 插画 · 文本 / 排版 · 极简主义 · 海报 / 传单
中文提示词
创作一张大胆且精致的 4:5 竖版旅行艺术海报，主题为 {argument name="destination" default="巴黎"}，画面完全仅使用四种荧光记号笔在纯亮白纸上绘制： 🟧 荧光橙 🟨 荧光黄 🟩 荧光绿 🟦 荧光蓝 构图 选择 2–3 个能够真实代表 {argument name="destination" default="巴黎"} 的、具有极高辨识度的地标或建筑符号。 使用一个主要地标作为视觉锚点，辅以一到两个较小的地标。通过重叠、裁剪、比例对比和充足的留白，将所有元素整合进一个连续的、非对称的构图中。 不要像旅游手册那样将地标并排排列。保持建筑高度简化，但要让人一眼即识。 记号笔风格 仅使用可见的宽头记号笔笔触来构建艺术作品——严禁使用黑色墨水、铅笔、精细轮廓线或数字填充。 使用快速扫过的笔触、透明的重叠、不均匀的饱和度、条纹、间隙、不完美的边缘、可见的起笔和收笔，以及偶尔延伸出建筑轮廓的笔触。 不要刻意在建筑物内部涂色。使用少量自信的笔触来暗示而非完全渲染地标。保留大面积的空白，让观者在脑海中补全形态。 近看时，作品应带有一种抽象感；远看时，{argument name="destination" default="巴黎"} 的形象应清晰可辨。 色彩与留白 仅使用荧光橙、黄、绿、蓝四色。在整个构图中交替使用这四种颜色，并让它们自然重叠。 保持约 50%–60% 的纯白纸面不被覆盖。禁止使用渐变、阴影、黑色、灰色、米色、柔和色调或其他额外色彩。 排版 使用相同的荧光记号笔，将文字“{argument name="destination" default="巴黎"}”自然地融入构图中。使其呈现出随性、富有表现力的手写感，并与画面视觉融合，而非传统的标题排版。 风格 当代编辑插画、实验性建筑速写、瑞士平面设计风格的克制感、富有表现力的记号笔艺术、博物馆商店级的旅行艺术品、精致的手工不完美感、大胆的留白。 避免：照片写实主义、精细的建筑渲染、传统的城市天际线构图、僵硬的网格、装饰性边框、水彩、复古纹理、奶油色/米色纸张以及平庸的旅游海报美学。 最终视觉感：一段仅通过四支荧光记号笔留下的旅行记忆——充满活力的笔触、巨大的留白、不完美的线条，以及恰到好处的建筑信息，让 {argument name="destination" default="巴黎"} 从抽象中瞬间浮现。 高分辨率，4:5 竖版，纯净的亮白色背景。
原始提示词
Create a bold, sophisticated vertical 4:5 travel art poster for {argument name="destination" default="Paris"}, drawn entirely with only four fluorescent highlighter markers on pure bright white paper: 🟧 Fluorescent Orange 🟨 Fluorescent Yellow 🟩 Fluorescent Green 🟦 Fluorescent Blue COMPOSITION Select 2–3 real, instantly recognizable landmarks or architectural symbols that genuinely represent {argument name="destination" default="Paris"}. Use one dominant landmark as the visual anchor, supported by one or two smaller landmarks. Integrate everything into one continuous, asymmetrical composition using overlap, cropping, scale contrast, and generous negative space. Do not arrange landmarks side-by-side like a tourist brochure. Keep the architecture highly simplified but immediately recognizable. HIGHLIGHTER STYLE Construct the artwork only with visible broad-tip highlighter strokes — no black ink, pencil, fine outlines, or digital fills. Use quick sweeping marks, transparent overlaps, uneven saturation, streaks, gaps, imperfect edges, visible stroke beginnings and endings, and occasional strokes extending beyond the architecture. Do not carefully color inside buildings. Use a limited number of confident strokes to suggest rather than fully render the landmarks. Leave significant areas unpainted so the viewer mentally completes the forms. Up close, the artwork should feel almost abstract; from a distance, {argument name="destination" default="Paris"} should become unmistakable. COLOR & WHITE SPACE Use only fluorescent orange, yellow, green, and blue. Use all four throughout the composition and allow them to overlap naturally. Keep approximately 50–60% of the pure white paper untouched. No gradients, shadows, black, gray, beige, pastel colors, or additional shades. TYPOGRAPHY Integrate the exact text “{argument name="destination" default="Paris"}” naturally into the composition using the same fluorescent highlighters. Make it spontaneous, expressive, handwritten, and visually integrated rather than a conventional poster heading. STYLE Contemporary editorial illustration, experimental architectural sketching, Swiss graphic-design restraint, expressive marker art, museum-shop travel artwork, sophisticated handmade imperfection, bold negative space. Avoid: photorealism, detailed architectural rendering, conventional skyline compositions, rigid grids, decorative borders, watercolor, vintage textures, cream/beige paper, and generic tourism-poster aesthetics. FINAL FEEL: A destination remembered through only four fluorescent highlighters — energetic marks, enormous white space, imperfect strokes, and just enough architectural information for {argument name="destination" default="Paris"} to suddenly emerge from abstraction. High resolution, vertical 4:5, pristine pure-white background.