现代中国平面设计
一个用于创作扁平化图形的技术提示词，特色包括醒目的中文字符、几何色块以及有机轮廓线。
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中文提示词
围绕 {argument name="subject" default="任何选定的主题对象"} 构建一个现代扁平化图形，包含一个巨大的中文主题字符、几何色块，以及一条穿插其中的单线有机轮廓。保持整体背景明亮、简洁，留出约三分之二或更多的空白区域，并将主要视觉重心集中在偏离中心的区域：一个主题原色的饱和矩形色块首先建立一个稳定的平面；一个更深、低明度、冷色调的圆形从其下方重叠并延伸至边界之外；核心中文主题字符以超大、厚重、几何感的黑色笔画在白色背景、矩形和圆形之上垂直延伸，通过局部遮挡和裁剪营造出强烈的尺度跳跃；左侧，日期和双语副标题构成紧凑的数字列，而右侧，两级笔画粗细的短句垂直排列以平衡重量；少量微型标题、短破折号和线性符号散布在边缘，从主字符到侧边注释再到细节，营造出三个层级的阅读节奏。将源自主题的动态关系抽象为一条连续的有机轮廓，绘制成一个宽阔的扫掠环，用清晰的近黑色单线从大面积空白区域进入，穿过色块并跨越边缘；曲线自身多次相交，同时保持作为单一路径的可读性；将其内部大部分保持为底层背景色，仅在尖端和延伸部分添加主题原色的局部透明渐变填充，使轻盈的线条与厚重的巨大字符形成张力。根据主题调整配色方案：让干净、高明度的中性背景占据最大面积；保持主题原色鲜艳且高饱和度，用于矩形和局部透明渐变；使用深冷色调作为圆形的辅助色，在色相上与原色区分，并在末端与原色柔和融合；文本和轮廓使用近黑色，在原色块上反白极少量的浅色文本；固定不相等的面积、明度层级和饱和度差异，但不要固定具体的颜色名称。将所有元素渲染为哑光数字印刷般的平面，具有锐利的轮廓边缘，仅在两处局部进行缓慢羽化的渐变；不要添加立体阴影、纸张纹理或全局光照效果。排版保持低对比度、宽大、厚重、近几何形状的黑色无衬线字体骨架；允许主字符的部分被拉长、偏移、镂空，并在色块背景之间切换；数字采用圆润的未来主义结构，小文本采用窄字形和宽松的字间距。用新的主题信息替换品牌名称、广告文案和具体日期。在最终结果中保留极致的留白。
原始提示词
Build a modern flat graphic around {argument name="subject" default="any chosen subject object"}, with a huge Chinese theme character, geometric color blocks, and a single-line organic contour interlacing through one another. Keep an overall bright, clean background field, letting approximately two-thirds or more of the space remain empty, and concentrate the main weight in an off-center cluster: a saturated rectangular block in the theme's primary color first establishes a stable plane; a deeper, low-lightness, cool-toned circle overlaps from beneath it and extends beyond the boundary; the core Chinese theme character advances vertically in oversized, heavy, geometric black strokes across the white background, rectangle, and circle, with partial occlusion and cropping creating a strong scale jump; on the left, the date and a bilingual subtitle form a compact numeric column, while on the right, short vertical sentences set in two stroke-weight tiers balance the weight; a few miniature captions, short dashes, and linear symbols scatter along the edges, creating a three-level reading rhythm from main character to side notes to details. Abstract the dynamic relationship derived from the theme into one continuous organic contour, drawn as a broad sweeping loop with a clear, near-black single line that enters from the large empty field, passes through the color blocks, and crosses the edge; the curve intersects itself several times while remaining legible as a single path; keep most of its interior as the underlying background color, adding only localized, transparent, fading fills in the theme's primary color at the tips and extended sections, so the light line creates tension with the heavy giant character. Adapt the color scheme to the theme: let a clean, high-lightness neutral background carry the largest area; keep the theme's primary color vivid and highly saturated, using it for the rectangle and the localized transparent gradient; use a deep cool support color for the circle, separated in hue from the primary color and blending softly into the primary color at its end; use near-black for text and the contour, with a very small amount of light text reversed onto the primary color block; fix unequal areas, lightness hierarchy, and saturation differences, but do not fix specific color names. Render all elements as flat surfaces like matte digital printing, with sharp contour edges and gradients only as two localized, slowly feathered transitions; do not add dimensional shadows, paper grain, or global lighting effects. Keep typography in a low-contrast, broad, thick, near-geometric black sans-serif skeleton; allow the main character's parts to be elongated, offset, cut out, and switched between color-block backgrounds; give numbers a rounded futuristic structure and compress small text with narrow letterforms and loose tracking. Replace brand names, advertising copy, and concrete dates with new theme information. Preserve in the final result the extreme white