分屏超现实版画设计
一个专业的组合式提示词，可将上传的照片转化为高端海报，上方展示原始照片，下方呈现极简主义的超现实版画解读。
gpt-image-2 · 人像 / 自拍 · 插画 · 摄影 · 摘要 / 背景 · 极简主义 · 海报 / 传单
中文提示词
请将 {argument name="input" default="我上传的每一张照片"} 转化为独立的高端设计海报。请勿制作多图拼贴，每张照片输出一张独立海报。使用整体 {argument name="aspect ratio" default="3:4"} 的竖构图，将其严格平分为高度相等的两部分，上下两部分各占据构图的 50%。上半部分应保留原始照片。保留主体的结构、真实的纹理、自然光影和原始的色彩氛围。仅应用细腻且高级的摄影调色，使其具备艺术杂志、独立出版物或展览摄影的视觉质感。为适应所需的纵横比，可以自然地延伸天空、地面或周围环境，但不得拉伸、扭曲或改变主体。下半部分应提取照片中最具辨识度的主体、轮廓、姿态和叙事关系，并将其重新诠释为超现实的极简主义版画构图。将主体压缩为一个清晰、克制的视觉锚点，通常以较小的比例呈现于大面积的留白之中，仅保留最本质的轮廓和姿态。不要复刻复杂的细节。相反，将原始图像的运动、方向、光影或空间关系转化为围绕主体展开的动态场。对于动态场，根据主体的特征自然选择一种主要的运动逻辑：它可以从上到下坠落、垂直上升、向特定方向流动、从中心点向外辐射，或形成不规则的涟漪与回响。使用大量的细线、断续轨迹、粗糙的半色调图案以及颗粒密度的变化来表达运动感。动态场在靠近核心处应更密集、更强烈，然后逐渐变得稀疏、破碎，最终消失在周围的留白中。避免同时堆砌多种视觉效果。让一个主体、一种运动方式和一个广阔的空间关系来定义构图。在配色方案上，从上半部分的原始照片中提取一种 {argument name="primary color" default="极具辨识度且充满活力的标志性色彩"}，并将其与暖白、象牙白或天然纸张色调以及少量黑色相结合，打造严格的 2–3 色配色方案。主色调可以进行适当的纯化和强化，使其显得生动有力，而不会产生过度的数码感。通过半色调密度、分层油墨覆盖和留白来创造色调变化，而非使用常规的渐变。保留丝网印刷、Risograph 印刷、粗颗粒、纸张纤维、油墨覆盖不均以及轻微套印偏差的触感。避免使用 CGI、3D 效果、逼真的数码光影效果和光滑的数码插画。
原始提示词
Please turn {argument name="input" default="each photo I upload"} into a separate, high-end design poster. Do not create multi-image collages; output one standalone poster for each photo. Use an overall {argument name="aspect ratio" default="3:4"} vertical format, divided into two sections of strictly equal height, with the upper and lower halves each occupying exactly 50% of the composition. The upper half should retain the original photograph. Preserve the subject’s structure, authentic texture, natural lighting, and original color atmosphere. Apply only subtle, sophisticated photographic color grading to give it the visual quality of an art magazine, independent publication, or exhibition photograph. To adapt the image to the required aspect ratio, you may naturally extend the sky, ground, or surrounding environment, but do not stretch, distort, or alter the subject. The lower half should extract the most recognizable subject, silhouette, pose, and narrative relationship from the photograph and reinterpret them as a surreal, minimalist printmaking composition. Compress the subject into a clear, restrained visual anchor, usually rendered at a relatively small scale within a large field of negative space, preserving only the most essential silhouette and posture. Do not reproduce complex details. Instead, transform the original image’s movement, direction, light and shadow, or spatial relationships into a dynamic field that unfolds around the subject. For the dynamic field, naturally choose one primary motion logic based on the characteristics of the subject: it may fall from top to bottom, rise vertically, flow in a specific direction, radiate outward from a central point, or form irregular ripples and echoes. Use numerous fine lines, broken trajectories, rough halftone patterns, and variations in grain density to express movement. The field should be denser and more intense near the core, then gradually become sparser, more fragmented, and eventually disappear into the surrounding negative space. Avoid stacking multiple visual effects at once. Let one subject, one type of movement, and one vast spatial relationship define the composition. For the color palette, extract one {argument name="primary color" default="highly distinctive, energetic signature color"} from the photograph in the upper half, and combine it with warm white, ivory, or natural paper tones, plus a small amount of black, creating a strict 2–3 color palette. The primary color may be slightly purified and intensified so that it feels vivid and powerful without becoming overly digital. Create tonal variation through halftone density, layered ink coverage, and exposed paper rather than conventional gradients. Preserve the tactile qualities of screen printing, Risograph printing, coarse grain, paper fibers, uneven ink coverage, and slight registration misalignment. Avoid CGI, 3D effects, realistic digital lighting effects, and smooth digital illustratio