几何分割海报设计
一款高端海报提示词，将画布分割为上半部分的写实照片与下半部分的几何重构图形，非常适合艺术出版物使用。
gpt-image-2 · 插画 · 摘要 / 背景 · 极简主义 · 海报 / 传单 · 漫画 / 图画小说 · 角色
中文提示词
请将我上传的每张照片分别制作成一张高级感海报，不要进行多图拼贴；每张照片需输出为独立的海报。采用 3:4 的整体竖构图，严格划分为两个等高区域，上下两部分各占画布的 50%。上半部分应保留原始照片，维持主体结构、写实纹理、自然光影及原始色彩氛围，仅进行细微的高级摄影调色，使其呈现出艺术出版物或展览摄影的质感。为适配所需比例，您可以自然地延伸天空、地面或环境背景，但严禁拉伸、扭曲或改变主体。下半部分应从照片中提取最具辨识度的主体、轮廓、姿态及叙事关系；先理解其核心意义、文化属性或情感联系，再将其重构为结合了民俗文化图录、古籍拓片与现代平面设计的图形组合。不要逐一翻译照片中的每个元素，也不要添加通用的传统纹理；仅保留一个核心视觉母题及极少数真正具有叙事意义的辅助形态。运用剪影、负空间、局部放大、形状融合及符号化转换，使图形不仅对应原物，更能表达其背后的深意。在严谨的几何框架与比例系统上构建构图：从主体自身的结构中推导出圆形、方形、三角形、弧线、轴线或重复比例作为“几何矩阵”，随后通过共切、共轴、嵌套、镜像、比例递进或边缘裁切关系，将所有主体形态、辅助图形、排版及负空间对齐。布局可以自由分布、偏心、溢出边界或非对称，但所有元素必须遵循同一结构逻辑，营造出清晰的视觉重心、层级、韵律与负空间；远观时秩序感应一目了然，近看则应显现出传统印刷的痕迹与细腻细节。避免杂乱的元素堆砌与装饰性累加。从上半部分的照片中提取最具特色、生动且富有精神表现力的色彩，并将其重组为简洁、克制的纸质印刷色板。使用明亮的浅纸色背景留出呼吸感，一种深色建立视觉骨架，并使用从原图中提取的一到两种主题色来组织主体与有限的装饰点缀。通过面积比例、叠印与色调来构建深度。
原始提示词
Please turn each photo I upload into a separate premium-designed poster, with no multi-image collage; output each photo as an independent poster. Use an overall 3:4 vertical composition, strictly divided into two equal-height sections, with the upper and lower halves each occupying exactly 50% of the canvas. The upper half should preserve the original photograph, maintaining the subject’s structure, realistic texture, natural lighting and shadows, and original color atmosphere, with only subtle high-end photographic color grading to give it the quality of an art publication or exhibition photograph. To adapt the image to the required aspect ratio, you may naturally extend the sky, ground, or environmental background, but you must not stretch, distort, or alter the main subject. The lower half should extract the most recognizable subject, silhouette, posture, and narrative relationship from the photograph; first understand its core meaning, cultural attributes, or emotional relationship, then reconstruct it into a graphic composition combining the character of a folk-culture catalog, antique rubbing prints, and modern graphic design. Do not translate every element in the photograph one by one, and do not add generic traditional patterns; retain only one core visual motif and a very small number of auxiliary forms that truly carry narrative significance. Use silhouette, negative space, partial enlargement, shape merging, and symbolic transformation so that the graphic not only corresponds to the original object but also expresses the meaning behind it. Build the composition on a rigorous geometric framework and proportional system: derive circles, squares, triangles, arcs, axes, or repeated proportions from the structure of the subject itself as the “geometric matrix,” then align all main forms, secondary graphics, typography, and negative space through shared tangencies, common axes, nesting, mirroring, proportional progression, or edge cropping relationships. The layout may be freely distributed, off-center, extend beyond boundaries, or be asymmetrical, but every element must obey the same structural logic, creating a clear visual center of gravity, hierarchy, rhythm, and negative space; from a distance the order should be immediately legible, while closer viewing should reveal traditional print traces and subtle details. Avoid random scattered elements and decorative accumulation. Extract the most distinctive, lively, and spiritually expressive colors from the upper photograph and reorganize them into a clean, restrained paper-printing palette. Use a bright, light paper-colored background to create breathing room, one dark color to establish the visual skeleton, and one or two theme colors derived from the original photograph to organize the main subject and limited accents. Build depth through area ratios, overprinting, and ton